Sculptures

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Francis Johnston 1760 - 1829 (c.1810) Catalogue No:
Description:
BELUM.U1164
U1164
Mrs. Francis Johnston, neé Anne Barnes 1769-1842 (c.1810) Catalogue No:
Description:
BELUM.U1165
U1165
Rainy Day (1971) Catalogue No:
Description:
BELUM.U1430
U1430
Dispersal : On Black (1967) Catalogue No:
Description:
BELUM.U1753
U1753
Unknown Lady (1851) Catalogue No:
Description:
BELUM.U1799
U1799
Alexander Mitchell 1780-1868 Catalogue No:
Description:
BELUM.U1821
U1821
Seraph (c1940) Catalogue No:
Description:
BELUM.U2118
U2118
Head of a Woman in Profile (c.1939-40) Catalogue No:
Description:
BELUM.U2119
U2119
Glass Fibre Form (1974) Catalogue No:
Description:
BELUM.U2298
U2298
Woman in Bomb Blast 1974/1 (1974) Catalogue No:
Description:
BELUM.U2438
U2438
Frederick Richard Chichester, Earl of Belfast 1827-53 (1855) Catalogue No:
Description:
BELUM.U2569
U2569
Still Life for Sarah Catalogue No:
Description:
BELUM.U4731
U4731
Sir Richard Griffith 1784-1878 (1859) Catalogue No:
Description:
BELUM.U4966
U4966
Pyramid of Light (1964) Catalogue No:
Description:
BELUM.U525
U0525
Crash (1964) Catalogue No:
Description:
BELUM.U951
U0951
Two Standing Women (1955) Catalogue No:
Description:
BELUM.U961
U0961
Man and Wife (1948) Catalogue No:
Description:
BELUM.U967
U0967
Head of William Scott 1913-89 (1956) Catalogue No:
Description:
BELUM.U968
BELUM.U968, Head of William Scott 1913-89 (1956)
Une Place au Soleil (1960) Catalogue No:
Description:
BELUM.U969
The French sculptor Cesar Baldaccini, who was born in Marseilles, is known simply as 'Cesar.' He is, perhaps, best known for his 'compressions,' of the mid-1950s, made by densely compressing car bodies. In its use of scrap metals this piece is characteristic of Cesar's work of the early 1960s when he utilized materials which would formerly have been considered beneath the dignity of art.
Masque Ornementale (1912) Catalogue No:
Description:
BELUM.U974
Henri Gaudier came to London in 1911 with Sophie Brzeska, whose name he added to his own. The original plaster for this work was commissioned in 1912 by the theatre designer Claude Lovat Frazer (1890-1921). It was painted in bright colours, partly gilded, and hung in Frazer's studio until his death. Few casts of Gaudier's work were made in his lifetime, due to his extreme poverty. The mask was not cast until 1969, when six casts were made, of which this is number four.